With the arrival of Postmodernism, this artist found inherent in reality the quality of being authentic and unquestionable was just an anthropocentric view of the surrounding context; where reality ceased being unquestionable, becoming an amalgam of subjective knowledge and, in many cases, decontextualized.

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Given the apparent contingency of the medium, where the subject taking place [happening], one understands the response that she had as logical; nothing other than self-reassertion through self-enquiry. 

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Thus knowing herself to be fragmented, and through the use of epistemological tools, she began a process in which she was able to interpolate concepts and create knowledge. As a result of this practice, she also created a cosmological structure, which responded to subjective values that were able to facilitate introjection, immediately affecting her. 

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Returning to the theme, her current artistic activity stems from an almost linguistic source. The use of certain specific resources is clear, [her own tools, both corporal and material] that are capable of attracting the viewer to the very essence of the space where the work is being carried out.

 

Bea Padrón e Israel Reyes

CURATORS